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Скачать книгу (размер 483 Kb , формат fb2, страниц 96) Аннотация: Aperture is pleased to present the elegantly updated and refreshed Henri Cartier-Bresson edition of the Aperture Masters of Photography Series. With an introduction by notable curator Clement Cheroux, this edition includes new, image-by-image commentary and a chronology of this influential and iconic artists life. Initially presented as the History of Photography Series in 1976, the first volume…

Скачать книгу (размер 809 Kb , формат fb2, страниц 160) Аннотация: The Decisive Moment originally titled Images a la Sauvette — is one of the most famous books in the history of photography, assembling Cartier-Bresson's best work from his early years. Published in 1952 by Simon and Schuster, New York, in collaboration with Editions Verve, Paris, it was lavishly embellished with a collage cover by Henri Matisse. The book and its images have since influenced…

Скачать книгу (размер 769 Kb , формат fb2, страниц 152) Аннотация: When 24-year old Henri Cartier-Bresson acquired a Leica camera in 1932, his casual interest in photography turned into passion. This volume explores the photographer’s early work documenting the poor and disenfranchised in Italy, Spain, Eastern Europe, and Mexico. Marked by tangible empathy and solidarity with the models, it is an original body of work to be rediscovered.

Скачать книгу (размер 1 299 Kb , формат fb2, страниц 256) Аннотация: Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this time, The Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought was a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition, and…

Скачать книгу (размер 646 Kb , формат fb2, страниц 128) Аннотация: The 50 most famous iconic photographs by Henri Cartier-Bresson, doyen of picture journalism.

Скачать книгу (размер 503 Kb , формат fb2, страниц 100) Аннотация: Some 15 years ago Cartier-Bresson decided to lay down the Leica and return to his first love painting and drawing to which he brings the same magic that infused his famous photographs. The foreword by John Russell (chief art critic, The New York Times) and introduction by Jean Clair.